Can I sit here? It’s a question that has plagued the minds of timid gallery-goers for decades, nervous of accidentally undermining “art” by mistaking it for something else entirely. And it’s one that female artists have long played with, bringing furniture and other domestic elements into the museum environment as a means of needling expectations and instincts.
Anthea Hamilton’s “Leg Chair” series, which she began in 2009, is moulded on her own body, and can be viewed as a…
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